Franz West: The 1990s
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Product Details
Author:
Franz West, Eva Badura-Triska, Veit Loers, Bernhard Riff
Format:
Hardcover
Pages:
138
Publisher:
David Zwirner Books (September 27, 2016)
Language:
English
ISBN-13:
9781941701102
ISBN-10:
1941701108
Weight:
34.16oz
Dimensions:
9" x 11.5" x 0.7"
Case Pack:
13
File:
Eloquence-SimonSchuster_09032026_P10573212_onix30_Complete-20260903.xml
Folder:
Eloquence
List Price:
$65.00
As low as:
$50.05
Publisher Identifier:
P-SS
Discount Code:
A
Audience:
General/trade
Pub Discount:
65
Imprint:
David Zwirner Books
Overview
During the 1990s, Franz West’s work moved in new and innovative stylistic directions, as his career was solidified through important international exhibitions. This publication delves into this significant decade in an effort to contextualize the evolution of West’s singular practice.
The 1990s proved critical in the development of the idiosyncratic style for which West is still known today. His key innovations from this period—which included the addition of exuberant color to his papier-mâché forms, the incorporation of furniture both as art object and as social incubator, and the inclusion of work by other artists in his own installations—resulted in dynamic, frequently interactive installations that helped to expand the possibilities of sculpture and the ways in which art is experienced. Produced on the occasion of David Zwirner’s 2014 exhibition in New York, this fully illustrated publication gives an in-depth overview of the decade, arguably the most important of the artist’s lengthy career. It features essays by noted West scholars Eva Badura-Triska and Veit Loers, as well as a personal account by Bernhard Riff on video collaborations made with the artist throughout the 1990s.
The 1990s proved critical in the development of the idiosyncratic style for which West is still known today. His key innovations from this period—which included the addition of exuberant color to his papier-mâché forms, the incorporation of furniture both as art object and as social incubator, and the inclusion of work by other artists in his own installations—resulted in dynamic, frequently interactive installations that helped to expand the possibilities of sculpture and the ways in which art is experienced. Produced on the occasion of David Zwirner’s 2014 exhibition in New York, this fully illustrated publication gives an in-depth overview of the decade, arguably the most important of the artist’s lengthy career. It features essays by noted West scholars Eva Badura-Triska and Veit Loers, as well as a personal account by Bernhard Riff on video collaborations made with the artist throughout the 1990s.
