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Focus: Music and Religion of Morocco

List Price: $61.99
SKU:
9781138094581
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  • Product Details

    Author:
    Christopher Witulski
    Format:
    Paperback
    Pages:
    176
    Publisher:
    Taylor & Francis (May 24, 2019)
    Language:
    English
    ISBN-13:
    9781138094581
    Weight:
    11.375oz
    Dimensions:
    6.75" x 9.5"
    File:
    TAYLORFRANCIS-TayFran_260414043745989-20260414.xml
    Folder:
    TAYLORFRANCIS
    List Price:
    $61.99
    Series:
    Focus on World Music Series
    Case Pack:
    25
    As low as:
    $58.89
    Publisher Identifier:
    P-CRC
    Discount Code:
    H
    Pub Discount:
    30
    Imprint:
    Routledge
    Country of Origin:
    United States
  • Overview

    Focus: Music and Religion of Morocco introduces the region and its history, highlighting how the pressures of religious life, post-colonial economic struggle, and global media come together within Moroccan musical life. Musical practices contextualize and clarify global historical and contemporary movements—many of which remain poorly understood—while articulating the daily realities of the region’s populations in ways that rarely show through current news accounts of religious extremism, poverty and inequality, and forced migration.

    As with other volumes in the series, Focus: Music and Religion of Morocco addresses large, conceptual issues though interwoven case studies, in three parts:

    • Part I Memories and Medias: Who We Are highlights how issues of religion, colonialism, nationalism, and globalization transcend boundaries through music to create a sense of personal and national identity, whether hundreds of years ago or on today's satellite television stations.
    • Part II Contesting Mainstreams: Where We're Going explores Morocco’s sacred and secular music practices as they relate to the country's diversity and its contemporary politics.
    • Part III  Focusing In: Faith and Fun in Fez highlights Fez’s sacred music industry by introducing musicians who navigate musical and religious expectations to appeal to both their own devotional ethics and their audiences’ wants.

    Links to music examples referenced in the text can be accessed on the eResource site www.routledge.com/9781138094581