Fidelia Bridges (Nature into Art)
List Price:
$49.99
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Katherine Manthorne, Katherine Manthorne
Format:
Hardcover
Pages:
128
Publisher:
Lund Humphries Publishers Ltd (April 30, 2023)
Language:
English
ISBN-13:
9781848225480
ISBN-10:
1848225482
Dimensions:
7.5" x 9.875" x 0.625"
File:
Eloquence-IPG_03192026_P9854863_onix30_Complete-20260319.xml
List Price:
$49.99
Series:
Northern Lights
As low as:
$42.99
Publisher Identifier:
P-IPG
Discount Code:
C
Weight:
25.28oz
Case Pack:
22
Audience:
General/trade
Pub Discount:
32
Imprint:
Lund Humphries Publishers Ltd
Folder:
Eloquence
Overview
Fidelia Bridges (1834-1923) painted pictures that critics praised for their ability to exude the fragrance of field flowers and glow with the plumage of birds. Raised in Salem and long residing in Connecticut, she maintained a studio in New York City, where she exhibited her art for over forty years at the National Academy, American Watercolor Society and other prestigious venues. Transforming flower painting from a domestic outlet for female amateurs to a marketable commodity for professionals, she never waived in her conviction that women had the right to shape independent careers on their own terms. Often, she combined plants with local birds to convey a sophisticated understanding of their environmental interaction that encouraged others to appreciate and conserve nature. Assembling a cross-section of her oil paintings, watercolours, chromolithographs, and illustrated volumes for the first time, and analysing them against letters, diaries, and periodical reviews, Fidelia Bridges combines a recovery of the artist’s biography with close readings of her artworks.








