English Landscape
List Price:
$16.99
| Expected release date is Aug 25th 2026 |
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Product Details
Author:
John Constable
Format:
Paperback
Pages:
52
Publisher:
Pallas Athene (August 25, 2026)
Imprint:
Pallas Athene
Release Date:
August 25, 2026
Language:
English
Audience:
General/trade
ISBN-13:
9781843683032
ISBN-10:
1843683032
Weight:
4.78oz
Dimensions:
11.693" x 8.268"
File:
Eloquence-SimonSchuster_06032026_P10163223_onix30_Complete-20260603.xml
Folder:
Eloquence
List Price:
$16.99
Pub Discount:
65
Case Pack:
1
As low as:
$13.08
Publisher Identifier:
P-SS
Discount Code:
A
Overview
The first modern re-publication of John Constable's great suite of mezzo tints after his finest works.
From 1829 until his death, Constable devoted an increasing amount of time, energy and his own money to the production of prints after his work. Intended as the epitome of his naturalistic art, English Landscape brought together 22 images from the whole span of his career, reimagined with all the drama and delicacy possible with mezzotint.
In David Lucas, Constable found a collaborator capable of responding to his work with an unprecedented range of tonal expression, and an endlessly patient colleague who could cope with Constable’s extreme anxiety and mood swings.
The result, though not a commercial success at the time, is widely acknowledged as one of the summits of English landscape art, and of the art of the mezzotint.
This edition includes Constable’s introduction, his most sustained explanation of his aims as a painter and the revolution he effected in landscape art. Also reprinted are the detailed descriptions he wrote for five of the plates, in which he explains his aims and methods, and the significance to him of the landscapes and skyscapes he depicted.
From 1829 until his death, Constable devoted an increasing amount of time, energy and his own money to the production of prints after his work. Intended as the epitome of his naturalistic art, English Landscape brought together 22 images from the whole span of his career, reimagined with all the drama and delicacy possible with mezzotint.
In David Lucas, Constable found a collaborator capable of responding to his work with an unprecedented range of tonal expression, and an endlessly patient colleague who could cope with Constable’s extreme anxiety and mood swings.
The result, though not a commercial success at the time, is widely acknowledged as one of the summits of English landscape art, and of the art of the mezzotint.
This edition includes Constable’s introduction, his most sustained explanation of his aims as a painter and the revolution he effected in landscape art. Also reprinted are the detailed descriptions he wrote for five of the plates, in which he explains his aims and methods, and the significance to him of the landscapes and skyscapes he depicted.
