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Earthly Delights (Poems)

List Price: $17.95
SKU:
9780691218823
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  • Product Details

    Author:
    Troy Jollimore
    Format:
    Paperback
    Pages:
    128
    Publisher:
    Princeton University Press (September 14, 2021)
    Imprint:
    Princeton University Press
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9780691218823
    ISBN-10:
    069121882X
    Weight:
    8.8oz
    Dimensions:
    6.12" x 9.25"
    File:
    PrincetonUniversityPress-Metadata_Only_Princeton_University_Press_Metadata_20250718061015-20250718.xml
    Folder:
    PrincetonUniversityPress
    List Price:
    $17.95
    Country of Origin:
    United States
    Pub Discount:
    55
    Series:
    Princeton Series of Contemporary Poets
    As low as:
    $17.05
    Publisher Identifier:
    P-MISC
    Discount Code:
    D
  • Overview

    From the winner of the National Book Critics Circle Award, a new collection of philosophical, elegiac, and wry meditations on film, painting, music, and poetry itself

    Earthly Delights begins with an invocation to the muse and ends with the departure of Odysseus from Ithaca. In between, Troy Jollimore’s distinguished new collection ranges widely, with cinematic and adventurous poems that often concern artistic creation and its place in the world. A great many center on films, from Andrei Tarkovsky’s Nostalghia to Paul Thomas Anderson’s Boogie Nights. The title poem reflects on Hieronymus Bosch’s The Garden of Earthly Delights, while another is an elegy for Gord Downie, the lead singer and lyricist for the cult rock band The Tragically Hip. Other poems address various forms of political insanity, from the Kennedy assassination to today’s active shooter drills, and philosophical ideas, from Ralph Waldo Emerson’s musings on beauty to John D. Rockefeller’s thoughts on the relation between roses and capitalist ethics. The book’s longest poem, “American Beauty,” returns repeatedly to the film of that name, but ultimately becomes a meditation on the Western history of making and looking, and—like many of the book’s poems—an elegy for lost things.