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Dracula and Philosophy (Dying to Know)
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Product Details
Author:
Nicolas Michaud, Janelle Pötzsch
Format:
Paperback
Pages:
288
Publisher:
Open Court (August 25, 2015)
Language:
English
ISBN-13:
9780812698909
ISBN-10:
0812698908
Weight:
14.4oz
Dimensions:
6" x 9"
Case Pack:
26
File:
PGW-LEGATO-Metadata_Only_Publishers_Group_West_Customer_Group_Metadata_20250917130144-20250917.xml
Folder:
PGW
As low as:
$17.16
List Price:
$19.95
Publisher Identifier:
P-PER
Discount Code:
C
Audience:
General/trade
Series:
Popular Culture and Philosophy
Pub Discount:
60
Imprint:
Open Court
Overview
In Dracula and Philosophy 24 nocturnal philosophers stake out and vivisect Dracula from many angles.
John C. Altmann decides whether Dracula can really be blamed for his crimes, since it’s his nature as a vampire to behave a certain way. Robert Arp argues that Dracula’s addiction to live human blood dooms him to perpetual frustration and misery. John V. Karavitis sees Dracula as a Randian individual pitted against the Marxist collective. Greg Littmann maintains that if we disapprove of Dracula’s behavior, we ought to be vegetarians. James Edwin Mahon uses the example of Dracula to resolve nagging problems about the desirability of immortality. Adam Barkman and Michael Versteeg ponder what it would really feel like to be Dracula, and thereby shed some light on the nature of consciousness. Robert Vuckovich looks at the sexual morality of Dracula and other characters in the Dracula saga. Ariane de Waal explains that “Dragula” is scary because every time this being appears, it causes “gender trouble.” And Cari Callis demonstrates that the Count is really the Jungian Shadow archetype — with added Shapeshifter elements — in the journey of Mina Harker, heroine/victim of Stoker's novel, from silly girl to empowered woman.
John C. Altmann decides whether Dracula can really be blamed for his crimes, since it’s his nature as a vampire to behave a certain way. Robert Arp argues that Dracula’s addiction to live human blood dooms him to perpetual frustration and misery. John V. Karavitis sees Dracula as a Randian individual pitted against the Marxist collective. Greg Littmann maintains that if we disapprove of Dracula’s behavior, we ought to be vegetarians. James Edwin Mahon uses the example of Dracula to resolve nagging problems about the desirability of immortality. Adam Barkman and Michael Versteeg ponder what it would really feel like to be Dracula, and thereby shed some light on the nature of consciousness. Robert Vuckovich looks at the sexual morality of Dracula and other characters in the Dracula saga. Ariane de Waal explains that “Dragula” is scary because every time this being appears, it causes “gender trouble.” And Cari Callis demonstrates that the Count is really the Jungian Shadow archetype — with added Shapeshifter elements — in the journey of Mina Harker, heroine/victim of Stoker's novel, from silly girl to empowered woman.
