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Design and popular entertainment

List Price: $140.00
SKU:
9780719080166
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  • Product Details

    Author:
    Christopher Frayling, Emily King, Harriet Atkinson
    Format:
    Hardcover
    Pages:
    224
    Publisher:
    Manchester University Press (June 16, 2009)
    Imprint:
    Manchester University Press
    Language:
    English
    Audience:
    College/higher education
    ISBN-13:
    9780719080166
    ISBN-10:
    0719080169
    Weight:
    14.4oz
    Dimensions:
    5.83" x 8.27"
    File:
    TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260928163227-20260928.xml
    Folder:
    TWO RIVERS
    List Price:
    $140.00
    Country of Origin:
    United Kingdom
    Series:
    Studies in Design and Material Culture
    Case Pack:
    20
    As low as:
    $107.80
    Publisher Identifier:
    P-PER
    Discount Code:
    A
  • Overview

    Design and Popular Entertainment offers a selection of nine essays that examine the range of design for popular entertainment, from theatre and film, to television and radio. Investigating entertainment design from the late nineteenth century to the 1960s, the book is divided into two sections. The first addresses the ‘hardware’ of popular entertainment, in other words the objects through which images, sound and performance are transmitted. The second explores the construction of cinematic and televisual imagery and the design of objects for the screen, the ‘software’ of entertainment. In so doing it offers important insights into this little explored aspect of design.

    Topics covered by the collection include the design of theatrical lighting and stage sets, cinema and radio design, the representation of designers within film, and the relationship between design and television. The book’s concentration on the 1950s and 1960s reflects the profound changes in modes of entertainment that took place during that period, in particular the spread of television, which not only attracted a huge popular audience but also stimulated experimental designing approaches and thinking. With particular focus on the way that both the objects and the construction of entertainment have altered audience’s experience, the essays present a novel approach to the subject. This book will be of particular interest to students and teachers working in design and cultural history as well as film and theatre studies.