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Decolonizing Arts-Based Methodologies (Researching the African Diaspora)
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$70.00
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Product Details
Author:
Paula D. Royster
Format:
Paperback
Pages:
184
Publisher:
Brill (November 26, 2020)
Imprint:
Brill
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9789004446106
ISBN-10:
9004446109
Weight:
10.08oz
Dimensions:
6.1" x 9.25"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260319172121-20260319.xml
Folder:
TWO RIVERS
List Price:
$70.00
Country of Origin:
Netherlands
Series:
Arts, Creativities, and Learning Environments in Global Perspectives
As low as:
$66.50
Publisher Identifier:
P-PER
Discount Code:
H
Pub Discount:
35
Overview
The genealogy of racism dates back to 610 AD when Islamic jihadists invented whiteness as a religious justification for deracinating and enslaving African people out of East Africa and into Southeastern Europe for more than 1,300 years.
Through a new interdisciplinary research methodology, Ancestorology, a taxonomy of Western cultural and visual productions of history are juxtaposed with the social stratifications of the African Diaspora to arrive at a new interpretation of the historical narrative.
Decolonzing Arts-Based Methodologies: Researching the African Diaspora provokes critical analytical thought between the historical narrative and current public discourse in Western societies where people of African descent exist. The importance of this work begins the process of unlearning Western ways of knowing and seeing through hegemonic productions of knowledge and by assigning new values to humanity’s collective memory.
Through a new interdisciplinary research methodology, Ancestorology, a taxonomy of Western cultural and visual productions of history are juxtaposed with the social stratifications of the African Diaspora to arrive at a new interpretation of the historical narrative.
Decolonzing Arts-Based Methodologies: Researching the African Diaspora provokes critical analytical thought between the historical narrative and current public discourse in Western societies where people of African descent exist. The importance of this work begins the process of unlearning Western ways of knowing and seeing through hegemonic productions of knowledge and by assigning new values to humanity’s collective memory.
