Death of a Salesman
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$15.00
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Product Details
Author:
Arthur Miller
Series:
Penguin Plays
Format:
Paperback
Pages:
144
Publisher:
Penguin Publishing Group (October 28, 1976)
Language:
English
ISBN-13:
9780140481341
ISBN-10:
0140481346
Weight:
3.6oz
Dimensions:
5.05" x 7.74" x 0.29"
Case Pack:
120
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260410T231116_155912977-20260410.xml
Folder:
RandomHouse
List Price:
$15.00
As low as:
$11.55
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
United States
Pub Discount:
65
Imprint:
Penguin Books
Overview
The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream
Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room.
"By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times
"So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time
Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room.
"By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times
"So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time








