Dead Peasant
| Expected release date is Nov 10th 2026 |
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Overview
Drawing on her decades of navigating the art world, Lisa Baldissera weaves writing conventions from the visual arts with the imaginative possibilities of magic realism in this groundbreaking collection of short fiction.
The stories in Dead Peasant reveal the fraught circumstances and neglected emotions of an underclass who toil below the glossy economies of the international high-art world, including artists and art workers. Here, characters from across centuries are haunted by war, floods, and their parental histories. An auction-house worker vomits blueberries on an art-collecting oligarch. An aspiring curator converses with Lindsay Lohan about an exhibition of horse paintings before tragedy strikes. An archivist studies planet Earth from space, reflecting on tax havens and the embattled ecology.
Through these startling, affective, incisive, and fun stories, Baldissera chronicles the unique challenges of the art world and the damage it inflicts on those struggling to get by. Like the eviscerative work of Rachel Cusk and the dark humour of Miranda July, she satirizes the neoliberal double-speak of the ‘creative economy’ and its punyfiying forces, to ask, what is it, truly, that art can do now?









