null
Loading... Please wait...
FREE SHIPPING on All Unbranded Items LEARN MORE
Print This Page

David to Delacroix

List Price: $65.00
SKU:
9780674332515
Quantity:
Minimum Purchase
25 unit(s)
  • Availability: Confirm prior to ordering
  • Branding: minimum 50 pieces (add’l costs below)
  • Check Freight Rates (branded products only)

Branding Options (v), Availability & Lead Times

  • 1-Color Imprint: $2.00 ea.
  • Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
  • Belly-Band Wrap: $2.50 ea. (full-color printed)
  • Set-Up Charge: $45 per decoration
FULL DETAILS
  • Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
  • Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
  • Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
  • RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
  • Product Details

    Author:
    Walter Friedlaender
    Format:
    Hardcover
    Pages:
    148
    Publisher:
    Harvard University Press (February 5, 1952)
    Language:
    English
    Audience:
    Professional and scholarly
    ISBN-13:
    9780674332515
    ISBN-10:
    0674332512
    Weight:
    17.12oz
    File:
    TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20240911192403-20240912.xml
    Folder:
    TWO RIVERS
    List Price:
    $65.00
    Country of Origin:
    Germany
    Pub Discount:
    40
    As low as:
    $58.50
    Publisher Identifier:
    P-PER
    Discount Code:
    G
  • Overview

    This renowned study follows the evolution of French painting from the Revolution through the Napoleonic era. Beginning with David's revolutionary classicism, Friedlaender scrutinizes the work of early-nineteenth-century artists against the background of their times. He reveals the baroque tendencies diffused into the art of Prudhon and the same predisposition, mixed with a strong realism, in the work of Géricault.

    Two distinct trends appear, deriving from Pussin and Rubens. The author follows the styles as they mature, and represents their consumation in two great masters—the refined and abstract classicism of Ingres and the baroque of Delacroix with its flamboyant colorism and exotic subjects.