null
Loading... Please wait...
FREE SHIPPING on All Unbranded Items LEARN MORE
Print This Page

David (The Art Gallery Series)

List Price: $15.95
SKU:
9788874391226
Quantity:
Minimum Purchase
25 unit(s)
  • Availability: Confirm prior to ordering
  • Branding: minimum 50 pieces (add’l costs below)
  • Check Freight Rates (branded products only)

Branding Options (v), Availability & Lead Times

  • 1-Color Imprint: $2.00 ea.
  • Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
  • Belly-Band Wrap: $2.50 ea. (full-color printed)
  • Set-Up Charge: $45 per decoration
FULL DETAILS
  • Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
  • Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
  • Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
  • RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
  • Product Details

    Author:
    Antonio Pinelli
    Format:
    Hardcover
    Pages:
    124
    Publisher:
    Five Continents Editions (January 1, 2019)
    Imprint:
    Five Continents Editions
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9788874391226
    ISBN-10:
    8874391226
    Weight:
    12.54oz
    Dimensions:
    6.693" x 9.449"
    File:
    Eloquence-SimonSchuster_03032026_P9790483_onix30_Complete-20260303.xml
    Folder:
    Eloquence
    List Price:
    $15.95
    Pub Discount:
    65
    Series:
    The Art Gallery Series
    Case Pack:
    1
    As low as:
    $12.28
    Publisher Identifier:
    P-SS
    Discount Code:
    A
  • Overview

    With the Oath of the Horatii, a picture that Jacques-Louis David (1748-1826) chose to paint in Rome, holing up in a studio close to Piazza del Popolo for almost a year, this artist exploded onto the European art scene as the unquestioned champion of a revolution in 'history painting'. He opened the road for new classicism, which was more rigorous than the version preferred by his predecessors Vien and Mengs, putting an end once and for all to all the frivolous simperings of the rococo. Modelled on the masterpieces of classical Antiquity and informed by Winckelmann's aesthetic theories and the self-righteous confidence of Corneille's heroes, the paintings of this audacious and talented artist introduced a direct and energetic figurative style that was sober and at the same time eloquent. It embodied perfectly the motto of the brilliant and irrepressible Diderot: "Paint the way they used to speak in Sparta". Four years later, at the 1789 Paris Salon, patriotism and ethical urgency, humming emotion and spectacular eloquence oozed from another of David's masterpieces, the large painting titled The Lictors Bring to Brutus the Bodies of his Sons, which seemed to depict first and foremost the revolutionary fervour that was just then engulfing Paris and was soon to spread to the whole of France. This monograph, which traces each stage of the great Parisian artist's evolution, stresses the close link he forged between art and politics. It was this equivalence between aesthetic and political choices that make this artist virtually unique in the history of art, especially in the art prior to the twentieth century. He didn't confine himself to taking part in the revolutionary events personally, even becoming a member of the government during the Terror, throughout his life his artistic commitment was an integral part of his political conviction. With him, political and ideological thought were hand in glove with his aesthetic sensibility, one nourishing the other and displaying the same modifications at the same time.