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David Reed
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$60.00
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Product Details
Author:
Richard Shiff
Format:
Hardcover
Pages:
156
Publisher:
Rizzoli (April 19, 2022)
Language:
English
ISBN-13:
9780847871766
ISBN-10:
0847871762
Weight:
36.2oz
Dimensions:
9.19" x 11.6" x 0.61"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260705T115856_156890253-20260705.xml
Folder:
RandomHouse
List Price:
$60.00
Case Pack:
13
As low as:
$51.60
Publisher Identifier:
P-RH
Discount Code:
C
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
United Kingdom
Pub Discount:
60
Imprint:
Gagosian / Rizzoli
Overview
A beautifully illustrated, in-depth look at recent works by David Reed, an American artist who brings conceptual interests in process and duration to his abstract paintings.
Since the outset of his career, David Reed’s central preoccupation has been to challenge and reinvent how to make a painting. Consistently, his paintings present a compelling tension between the gestural and the impersonal; in recent times this has been characterized by fluid, torquing, extended marks that reveal the viscosity of paint and the speed of color and light in a flattened manner that looks photographic or filmic.
David Reed documents the artist’s 2020 exhibition of new work at Gagosian in New York, presenting 15 outsize paintings that, in many cases, were over a decade in the making. The plates are punctuated by striking details of several works. The artist’s “working drawings,” which he has long made to document the many stages of a painting’s creation, are illustrated throughout the plate section, offering insights into his varied sources and complex processes.
A new essay by art historian Richard Shiff examines the emotional tenor of Reed’s paintings.
Since the outset of his career, David Reed’s central preoccupation has been to challenge and reinvent how to make a painting. Consistently, his paintings present a compelling tension between the gestural and the impersonal; in recent times this has been characterized by fluid, torquing, extended marks that reveal the viscosity of paint and the speed of color and light in a flattened manner that looks photographic or filmic.
David Reed documents the artist’s 2020 exhibition of new work at Gagosian in New York, presenting 15 outsize paintings that, in many cases, were over a decade in the making. The plates are punctuated by striking details of several works. The artist’s “working drawings,” which he has long made to document the many stages of a painting’s creation, are illustrated throughout the plate section, offering insights into his varied sources and complex processes.
A new essay by art historian Richard Shiff examines the emotional tenor of Reed’s paintings.








