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Darren Waterston Filthy Lucre (Revised and Expanded Edition)

List Price: $50.00
SKU:
9780847878314
Quantity:
Minimum Purchase
25 unit(s)
Expected release date is Apr 27th 2027
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  • Set-Up Charge: $45 per decoration
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  • Product Details

    Author:
    Susan Cross, Lee Glazer
    Format:
    Hardcover
    Pages:
    160
    Publisher:
    Rizzoli (April 27, 2027)
    Imprint:
    Rizzoli Electa
    Release Date:
    April 27, 2027
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9780847878314
    ISBN-10:
    0847878317
    Weight:
    20oz
    Dimensions:
    9.5" x 11.5"
    File:
    RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260807T230705_157524928-20260807.xml
    Folder:
    RandomHouse
    List Price:
    $50.00
    Country of Origin:
    China
    Pub Discount:
    60
    Case Pack:
    12
    As low as:
    $38.50
    Publisher Identifier:
    P-RH
    Discount Code:
    B
    QuickShip:
    Yes
  • Overview

    Artist Darren Waterston interprets James McNeill Whistler's Peacock Room.

    When shipping magnate Frederick Leyland asked James McNeill Whistler to redecorate his dining room in 1876— intended as a showcase for Leyland’s prized collection of Chinese porcelain—a dispute arose between the artist and his patron. Whistler had promised “minor alterations” but instead lavishly painted the room with plumed peacocks and feather patterns on the ceiling and shutters. Leyland refused to pay the artist his fee. The mural over the sideboard, pointedly titled “Art and Money, or, the story of the room,” depicts Whistler’s quarrel with Leyland: Whistler is the poor peacock on the left, the silver crest feather a reference to the artist’s famous white forelock; the bird on the right with coins around his feet represents Leyland. 

    Waterston’s Filthy Lucre is a detailed and decadent interpretation of Whistler’s room. The nineteenth-century interior is beautifully represented in its restored original state: leather walls and gilt ceiling dazzling with coppery golds, brilliant blues, and greens. In addition, Waterston reconstructs the dining room as a gorgeous ruin, complete with reinterpretations of Whistler’s paintings, stalactite-like ceiling fixtures, and crumbling gold shelving for ceramic vessels. Featuring new photography of Waterston’s process, including installations at MASS MoCA, the V&A, and MAD, this sumptuous interior winks at the excess and inequities of both the Gilded Age and our own time.