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Crime Plus Music (Nineteen Stories of Music-Themed Noir)
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$19.95
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Product Details
Author:
Jim Fusilli, Craig Johnson, David Liss, Val McDermid, Alison Gaylin
Format:
Paperback
Pages:
304
Publisher:
Three Rooms Press (October 18, 2016)
Language:
English
Audience:
General/trade
ISBN-13:
9781941110454
ISBN-10:
1941110452
Weight:
15.2oz
Dimensions:
5.5" x 8.25"
File:
PGW-LEGATO-Metadata_Only_Publishers_Group_West_Customer_Group_Metadata_20250917130145-20250918.xml
Folder:
PGW
List Price:
$19.95
Case Pack:
32
As low as:
$17.16
Publisher Identifier:
P-PER
Discount Code:
C
Country of Origin:
United States
Pub Discount:
60
Imprint:
Three Rooms Press
Overview
CRIME + MUSIC: The Sounds of Noir, collects twenty darkly intense, music-related noir stories by world-renowned mystery authors including David Corbett, Tyler Dilts, Brendan DuBois, Bill Fitzhugh, Alison Gaylin, A.J. Hartley, Craig Johnson, David Liss, Val McDermid, Gary Phillips, Peter Robinson, and Zoë Sharp, and, from the music world, Galadrielle Allman, author of Please Be With Me: A Song for My Father, Duane Allman and award-winning songwriter-novelist Willy Vlautin. Edited by novelist and Wall Street Journal rock and pop music critic Jim Fusilli.
The lively anthology’s chilling, sinister tales tap into the span of rock and pop history, ranging from Peter Blauner’s heart-wrenching “The Last Temptation of Frankie Lymon” to Fusilli’s “Boy Wonder,” set in the world of contemporary electronic dance music; from Naomi Rand’s “The Misfits,” a punk-rock revenge saga to Mark Haskell Smith’s menacingly comedic “1968 Pelham Blue SG Jr.”; from Reed Farrel Coleman’s study of a one-hit wonder, “Look at Me/Don’t Look at Me” to Erica Wright’s account of betrayal among minor talents in “A Place You’re Likely to Find”—and many more.
CRIME + MUSIC exposes the nasty side of the world of popular music, revealing it to be the perfect setting for noir tales.
The lively anthology’s chilling, sinister tales tap into the span of rock and pop history, ranging from Peter Blauner’s heart-wrenching “The Last Temptation of Frankie Lymon” to Fusilli’s “Boy Wonder,” set in the world of contemporary electronic dance music; from Naomi Rand’s “The Misfits,” a punk-rock revenge saga to Mark Haskell Smith’s menacingly comedic “1968 Pelham Blue SG Jr.”; from Reed Farrel Coleman’s study of a one-hit wonder, “Look at Me/Don’t Look at Me” to Erica Wright’s account of betrayal among minor talents in “A Place You’re Likely to Find”—and many more.
CRIME + MUSIC exposes the nasty side of the world of popular music, revealing it to be the perfect setting for noir tales.
