Craven House
List Price:
$19.99
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Product Details
Author:
Patrick Hamilton
Format:
Paperback
Pages:
416
Publisher:
Little, Brown Book Group (February 20, 2024)
Language:
English
ISBN-13:
9780349141510
ISBN-10:
0349141517
Dimensions:
5" x 7.75"
File:
hbgusa-hbgusa_onix30_P10401407_07272026-20260727.xml
Folder:
hbgusa
List Price:
$19.99
As low as:
$15.39
Publisher Identifier:
P-HACH
Discount Code:
A
Weight:
9.92oz
Case Pack:
24
Audience:
General/trade
Country of Origin:
United Kingdom
Pub Discount:
65
Imprint:
Abacus
Overview
All his novels are terrific' Sarah Waters
Patrick Hamilton's novels were the inspiration for Matthew Bourne's new dance theatre production, The Midnight Bell.
In Craven House, among the shifting, uncertain world of the English boarding house, with its sad population of the shabby genteel on the way down - and the eternal optimists who would never get up or on - the young Patrick Hamilton, with loving, horrified fascination, first mapped out the territory that he would make, uniquely, his own.
Although many of Hamilton's lifelong interests are here, they are handled with a youthful brio and optimism conspicuously absent from his later work. The inmates of Craven House have their foibles, but most are indulgently treated by an author whose world view has yet to harden from scepticism into cynicism.
The generational conflicts of Hamilton's own youth thread throughout the narrative, with hair bobbing and dancing as the battle lines. That perennial of the 1920s bourgeoisie, the 'servant problem', is never far from the surface, and tensions crescendo gradually to a resolution one climactic dinnertime.
Patrick Hamilton's novels were the inspiration for Matthew Bourne's new dance theatre production, The Midnight Bell.
In Craven House, among the shifting, uncertain world of the English boarding house, with its sad population of the shabby genteel on the way down - and the eternal optimists who would never get up or on - the young Patrick Hamilton, with loving, horrified fascination, first mapped out the territory that he would make, uniquely, his own.
Although many of Hamilton's lifelong interests are here, they are handled with a youthful brio and optimism conspicuously absent from his later work. The inmates of Craven House have their foibles, but most are indulgently treated by an author whose world view has yet to harden from scepticism into cynicism.
The generational conflicts of Hamilton's own youth thread throughout the narrative, with hair bobbing and dancing as the battle lines. That perennial of the 1920s bourgeoisie, the 'servant problem', is never far from the surface, and tensions crescendo gradually to a resolution one climactic dinnertime.
