Could You Please, Please Stop Singing?
List Price:
$14.99
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Sabyasachi Nag
Format:
Paperback
Pages:
120
Publisher:
Mosaic Press (January 1, 2016)
Language:
English
ISBN-13:
9781771611718
ISBN-10:
1771611715
Dimensions:
6" x 9" x 0.3"
File:
Eloquence-IPG_03192026_P9854863_onix30_Complete-20260319.xml
Folder:
Eloquence
As low as:
$12.89
Weight:
6.56oz
List Price:
$14.99
Publisher Identifier:
P-IPG
Discount Code:
C
Audience:
General/trade
Pub Discount:
60
Imprint:
Mosaic Press
Overview
In Could You Please, Please Stop Singing, Sabyasachi (Sachi) Nag takes a step away from skepticism, blending humour with shock and surprise, seeking a return to childhood in “Mamuda’s Fries,” innocence in “Conversations with the Country Activist” and fractals for the future in the yet to be invented “Seedless Avocado.” In attempting what Tomas Transromer calls “walking through walls,” Nag hurts and sickens himself with awe and rage. The title poem “Could You Please, Please Stop Singing?” purposely evokes the famous Hemingway line from Men Without Women and is central to the overall tonality of this collection, that straddles a path alternately mocking and dead serious, and that occasionally yields to contrary pulls between the banal and the sublime.
