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Content

List Price: $15.95
SKU:
9780262543286
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  • Product Details

    Author:
    Kate Eichhorn
    Format:
    Paperback
    Pages:
    192
    Publisher:
    MIT Press (May 10, 2022)
    Language:
    English
    ISBN-13:
    9780262543286
    ISBN-10:
    0262543281
    Weight:
    6.2oz
    Dimensions:
    5" x 7" x 0.52"
    File:
    RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260705T121802_156890337-20260705.xml
    Folder:
    RandomHouse
    List Price:
    $15.95
    Series:
    The MIT Press Essential Knowledge series
    Case Pack:
    60
    As low as:
    $12.28
    Publisher Identifier:
    P-RH
    Discount Code:
    A
    QuickShip:
    Yes
    Audience:
    General/trade
    Country of Origin:
    United States
    Pub Discount:
    65
    Imprint:
    The MIT Press
  • Overview

    A concise introduction to content and the content industry, from the early internet to the Instagram egg.

    From the time we roll out of bed to check overnight updates to our last posts, likes, and views of the previous day, we're consuming and producing content. But what does the term “content” even mean? When did it become ubiquitous? And at what cost? In this volume in the MIT Press Essential Knowledge series, Kate Eichhorn offers a concise introduction to content and the content industry, examining the far-reaching effects content has on culture, politics, and labor in a digital age.
     
    Eichhorn traces the evolution of our current understanding of content from the early internet to the current social mediaverse. The quintessential example of content, she says, is the Instagram egg—an image that imparted no information or knowledge and circulated simply for the sake of circulation. Eichhorn explores what differentiates user-generated content from content produced by compensated (although often undercompensated) workers; examines how fields from art and literature to journalism and politics have weathered the rise of the content industry; and investigates the increasing importance of artists’ “content capital”—the ability of artists, writers, and performers to produce content not about their work but about their status as artists.