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Concerning E. M. Forster

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9780374532383
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  • Product Details

    Author:
    Frank Kermode
    Format:
    Paperback
    Pages:
    192
    Publisher:
    Farrar, Straus and Giroux (November 23, 2010)
    Language:
    English
    ISBN-13:
    9780374532383
    ISBN-10:
    0374532389
    Weight:
    7.2oz
    Dimensions:
    5.31" x 7.97" x 0.51"
    Case Pack:
    40
    As low as:
    $10.78
    File:
    Macmillan Trade-Macmillan_Print_US_Trade_20260316161400-20260317.xml
    List Price:
    $14.00
    Publisher Identifier:
    P-STM
    Discount Code:
    A
    Audience:
    General/trade
    QuickShip:
    Yes
    Pub Discount:
    65
    Folder:
    Macmillan Trade
    Imprint:
    Farrar, Straus and Giroux
  • Overview

    A major reassessment of the great English novelist

    This impressive new book by the celebrated British critic Frank Kermode examines hitherto neglected aspects of the novelist E. M. Forster's life and work. Kermode is interested to see how it was that this apparently shy, reclusive man should have claimed and kept such a central position in the English writing of his time, even though for decades he composed no fiction and he was not close to any of his great contemporaries—Henry James, Ford Madox Ford, Joseph Conrad, James Joyce.

    Concerning E. M. Forster has at its core the Clark Lectures that Kermode gave at Cambridge University in 2007 on the subject of Forster, eighty years after Forster himself gave those lectures, which became Aspects of the Novel. Kermode reappraised the influence and meaning of that great work, assessed the significance of Forster's profound musicality (Britten thought him the most musical of all writers), and offered a brilliant interpretation of Forster's greatest work, A Passage to India. But there is more to Concerning E. M. Forster than that. Thinking about Forster vis-àvis other great modern writers, noting his interest in Proust and Gide and his lack of curiosity about American fiction, and observing that Forster was closest to the people who shared not his literary interests or artistic vocation but, rather, his homosexuality, Kermode's book offers a wise, original, and persuasive new portrait not just of Forster but of twentieth-century English letters.