Colonial Botany (Entangled Histories of Plants, Origin, and Power)
| Expected release date is Mar 24th 2027 |
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Overview
Like ethnographic artifacts, many plants bear a colonial history. This volume provides examples of such plants from Africa, the Americas and Asia, many of which we see around us every day. These plants have significant cultural, religious, or medicinal importance in their regions of origin. From their “discovery” by Europeans, what they share with other artefacts is their role as objects of power and desire. Plants from outside Europe were treated as precious as art objects, and their display was given due prominence. But we forget that these plants were known to Indigenous peoples for hundreds of years and valued for their numerous properties. Bridging historical sources and contemporary perspectives, this publication examines legacies of colonial botany and sheds new light on the museum context.
-
The colonial history of European houseplants
-
From traditional use by Indigenous peoples to Western monetization and commercialization
-
Plants as objects of power and desire









