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Chora 2 (Intervals in the Philosophy of Architecture)

List Price: $37.95
SKU:
9780773514065
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  • Product Details

    Author:
    Alberto Pérez-Gómez, Stephen Parcell
    Format:
    Hardcover
    Pages:
    336
    Publisher:
    McGill-Queen's University Press (September 19, 1996)
    Imprint:
    McGill-Queen's University Press
    Language:
    English
    Audience:
    College/higher education
    ISBN-13:
    9780773514065
    ISBN-10:
    0773514066
    Weight:
    20.8oz
    Dimensions:
    6.5" x 9"
    File:
    TWO RIVERS-PERSEUS-Perseus_Distribution_Customer_Group_Metadata_20260501115654-20260501.xml
    Folder:
    TWO RIVERS
    List Price:
    $37.95
    Country of Origin:
    Canada
    Series:
    CHORA: Intervals in the Philosophy of Architecture
    As low as:
    $36.05
    Publisher Identifier:
    P-PER
    Discount Code:
    H
    Pub Discount:
    35
  • Overview

    In this second volume in the Chora series, contributing authors take an interdisciplinary approach to architecture and other cultural concerns, challenging readers to consider alternatives to conventional aesthetic and technological reductions.

    Karsten Harries provides a new and long-overdue reading of Martin Heidegger's well-known essay "Building Dwelling Thinking." Donald Kunze and Stephen Parcell consider possibilities of meaningful architectural space for a visual culture, continuing themes they addressed in Chora 1. Further reflections on the spaces of literature, cinema, and architecture include an interview with French writer and film maker Alain Robbe-Grillet and articles by Dagmar Motycka Weston on the surrealist city, Tracey Eve Winton on the museum as a paradigmatic modern building, and Terrance Galvin on spiritual space in the works of Jean Cocteau. Jean-Pierre Chupin and Bram Ratner explore historical themes in their essays on French Renaissance architect Philibert de l'Orme and the Jewish myth of the Golem. Gregory Caicco addresses ethical questions in his essay on the Greek agora and the death of Socrates, as does Lily Chi in her meditation on the critical issue of use in architectural works. A concern with architectural representation and generative strategies for the making of architecture is present throughout, especially in the essay by Joanna Merwood on the provocative House by British artist Rachel Whiteread.