Chinese Surplus (Biopolitical Aesthetics and the Medically Commodified Body)
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Product Details
Author:
Ari Larissa Heinrich
Format:
Paperback
Pages:
264
Publisher:
Duke University Press (March 5, 2018)
Imprint:
Duke University Press
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9780822370536
ISBN-10:
0822370530
Weight:
12.8oz
Dimensions:
6" x 9"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20250917125829-20250918.xml
Folder:
TWO RIVERS
List Price:
$34.95
Country of Origin:
United States
Series:
Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
Case Pack:
48
As low as:
$26.91
Publisher Identifier:
P-PER
Discount Code:
A
Pub Discount:
46
Overview
What happens when the body becomes art in the age of biotechnological reproduction? In Chinese Surplus Ari Larissa Heinrich examines transnational Chinese aesthetic production to demonstrate how representations of the medically commodified body can illuminate the effects of biopolitical violence and postcolonialism in contemporary life. From the earliest appearance of Frankenstein in China to the more recent phenomenon of "cadaver art," he shows how vivid images of a blood transfusion as performance art or a plastinated corpse without its skin—however upsetting to witness—constitute the new "realism" of our times. Adapting Foucauldian biopolitics to better account for race, Heinrich provides a means to theorize the relationship between the development of new medical technologies and the representation of the human body as a site of annexation, extraction, art, and meaning-making.
