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Chance Magazine: Issue 4 (Unbound)

List Price: $29.95
SKU:
9780990569411
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Minimum Purchase
25 unit(s)
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  • Product Details

    Author:
    Chance Magazine Editorial Staff
    Format:
    Paperback
    Pages:
    232
    Publisher:
    Theatre Communications Group (April 14, 2015)
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9780990569411
    ISBN-10:
    0990569411
    Weight:
    38.4oz
    Dimensions:
    9" x 11.75"
    File:
    CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20260401130214-20260401.xml
    Folder:
    CONSORTIUM
    List Price:
    $29.95
    Case Pack:
    15
    As low as:
    $28.45
    Publisher Identifier:
    P-PER
    Discount Code:
    H
    Country of Origin:
    United States
    Pub Discount:
    35
    Imprint:
    Chance
  • Overview

    Chance is a photography magazine and serialized art book that looks at the world through the lens of theater and design. A calm, noise-free place to engage with the aesthetics of design in detail, Chance integrates all of the arts, material and non-material, into a single space where the poetry of human thought can expand our desire for a more provocative and lifted engagement with design.

    The team at Chance produces an original photo shoot of nearly every production they cover, and believe that a more thorough glimpse into the world of design can change the way people think and write about the theater and the artists who create for it. Started in 2012 by a group of designers, writers and artists, Chance is more than a magazine. As a thoroughly stylized and high-quality publication, Chance is an immersive, image-rich, serialized art-book on contemporary events in performance and design that comprehensively redefines the relationship between theater and print.

    In Issue 4: Unbound, new spaces mean new ideas, and the reactivation of theatre as a literary contact sport. Chance 4 includes Kathryn Hamilton’s Sister Sylvester; the Comedie-Francaise and Virginie Gervaise; The Chekhov Project at Lake Lucille; Rita Ryack’s Casa Valentina; Tim Etchells’ and Hugo Glendinning’s Empty Stages; James Thompson’s work in the Democratic Republic of the Congo; Sandrine Philippe’s stage-ready couture; design legend Eugene Lee’s library; the Toneelgroep’s scenographer Jan Versweyveld and video designer Tal Yarden; Hugh Hardy’s new buildings for LCT3 and TFANA; Kristen Robinson’s broken space for Nora; and Jeff Hinchee’s paper theatre kit.