- Home
- Performing Arts
- Theater
- Chance Magazine: Issue 4 (Unbound)
Chance Magazine: Issue 4 (Unbound)
List Price:
$29.95
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Chance Magazine Editorial Staff
Format:
Paperback
Pages:
232
Publisher:
Theatre Communications Group (April 14, 2015)
Language:
English
Audience:
General/trade
ISBN-13:
9780990569411
ISBN-10:
0990569411
Weight:
38.4oz
Dimensions:
9" x 11.75"
File:
CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20260401130214-20260401.xml
Folder:
CONSORTIUM
List Price:
$29.95
Case Pack:
15
As low as:
$28.45
Publisher Identifier:
P-PER
Discount Code:
H
Country of Origin:
United States
Pub Discount:
35
Imprint:
Chance
Overview
Chance is a photography magazine and serialized art book that looks at the world through the lens of theater and design. A calm, noise-free place to engage with the aesthetics of design in detail, Chance integrates all of the arts, material and non-material, into a single space where the poetry of human thought can expand our desire for a more provocative and lifted engagement with design.
The team at Chance produces an original photo shoot of nearly every production they cover, and believe that a more thorough glimpse into the world of design can change the way people think and write about the theater and the artists who create for it. Started in 2012 by a group of designers, writers and artists, Chance is more than a magazine. As a thoroughly stylized and high-quality publication, Chance is an immersive, image-rich, serialized art-book on contemporary events in performance and design that comprehensively redefines the relationship between theater and print.
In Issue 4: Unbound, new spaces mean new ideas, and the reactivation of theatre as a literary contact sport. Chance 4 includes Kathryn Hamilton’s Sister Sylvester; the Comedie-Francaise and Virginie Gervaise; The Chekhov Project at Lake Lucille; Rita Ryack’s Casa Valentina; Tim Etchells’ and Hugo Glendinning’s Empty Stages; James Thompson’s work in the Democratic Republic of the Congo; Sandrine Philippe’s stage-ready couture; design legend Eugene Lee’s library; the Toneelgroep’s scenographer Jan Versweyveld and video designer Tal Yarden; Hugh Hardy’s new buildings for LCT3 and TFANA; Kristen Robinson’s broken space for Nora; and Jeff Hinchee’s paper theatre kit.
The team at Chance produces an original photo shoot of nearly every production they cover, and believe that a more thorough glimpse into the world of design can change the way people think and write about the theater and the artists who create for it. Started in 2012 by a group of designers, writers and artists, Chance is more than a magazine. As a thoroughly stylized and high-quality publication, Chance is an immersive, image-rich, serialized art-book on contemporary events in performance and design that comprehensively redefines the relationship between theater and print.
In Issue 4: Unbound, new spaces mean new ideas, and the reactivation of theatre as a literary contact sport. Chance 4 includes Kathryn Hamilton’s Sister Sylvester; the Comedie-Francaise and Virginie Gervaise; The Chekhov Project at Lake Lucille; Rita Ryack’s Casa Valentina; Tim Etchells’ and Hugo Glendinning’s Empty Stages; James Thompson’s work in the Democratic Republic of the Congo; Sandrine Philippe’s stage-ready couture; design legend Eugene Lee’s library; the Toneelgroep’s scenographer Jan Versweyveld and video designer Tal Yarden; Hugh Hardy’s new buildings for LCT3 and TFANA; Kristen Robinson’s broken space for Nora; and Jeff Hinchee’s paper theatre kit.








