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Busted in New York and Other Essays - 9781250758132

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9781250758132
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  • Product Details

    Author:
    Darryl Pinckney, Zadie Smith
    Format:
    Paperback
    Pages:
    416
    Publisher:
    Picador (November 17, 2020)
    Language:
    English
    ISBN-13:
    9781250758132
    ISBN-10:
    1250758130
    Case Pack:
    20
    File:
    Macmillan Trade-Macmillan_Print_US_Trade_20260316161400-20260317.xml
    Folder:
    Macmillan Trade
    List Price:
    $19.00
    As low as:
    $14.63
    Publisher Identifier:
    P-STM
    Discount Code:
    A
    Weight:
    13.76oz
    Audience:
    General/trade
    Dimensions:
    5.56" x 7.94" x 1.02"
    QuickShip:
    Yes
    Pub Discount:
    65
    Imprint:
    Picador
  • Overview

    A collection of essays that blend the personal and the social, from the celebrated literary critic and novelist

    In these twenty-five essays, Darryl Pinckney has given us a view of our recent racial history that blends the social and the personal and wonders how we arrived at our current moment. Pinckney reminds us that “white supremacy isn’t back; it never went away.” It is this impulse to see historically that is at the core of Busted in New York and Other Essays, which traces the lineage of black intellectual history from Booker T. Washington through the Harlem Renaissance, to the Black Panther Party and the turbulent sixties, to today’s Afro-pessimists, and celebrated and neglected thinkers in between.

    These are capacious essays whose topics range from the grassroots of protest in Ferguson, Missouri, to the eighteenth-century Guadeloupian composer Joseph Bologne, from an unsparing portrait of Louis Farrakhan to the enduring legacy of James Baldwin, the unexpected story of black people experiencing Russia, Barry Jenkins’s Moonlight, and the painter Kara Walker. The essays themselves are a kind of record, many of them written in real-time, as Pinckney witnesses the Million Man March, feels and experiences the highs and lows of Obama’s first presidential campaign, explores the literary black diaspora, and reflects on the surprising and severe lesson he learned firsthand about the changing urban fabric of New York.

    As Zadie Smith writes in her introduction to the book: “How lucky we are to have Darryl Pinckney who, without rancor, without insult, has, all these years, been taking down our various songs, examining them with love and care, and bringing them back from the past, like a Sankofa bird, for our present examination. These days Sankofas like Darryl are rare. Treasure him!”