- Home
- Art
- Subjects & Themes
- Brackish Waters
Brackish Waters
List Price:
$22.95
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Jesse Birch, Will Holder
Format:
Paperback
Pages:
120
Publisher:
MIT Press (March 31, 2026)
Imprint:
Sternberg Press
Language:
English
Audience:
General/trade
ISBN-13:
9781915609861
ISBN-10:
1915609860
Weight:
10.6oz
Dimensions:
5.63" x 10.56" x 0.47"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260617T072810_156615746-20260617.xml
Folder:
RandomHouse
List Price:
$22.95
Country of Origin:
Estonia
Pub Discount:
65
Case Pack:
17
As low as:
$17.67
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Overview
On oceanic environments through contemporary art and writing.
BRACKISH WATERS is the third of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fishing), through contemporary art and writing.
Brackish waters mingle the fresh with the salt. Departing from industrial ports and shoreline ecosystems, this publication crosses oceanic worlds of extraction and distribution. It responds to marine environments diffracted by the perspectives of artists, writers, Indigenous Elders, fish and fishers, biologists, citizen scientists, whales, physicists, boat builders, ship workers, sailors, pirates, brittle stars, and other creatures of the deep.
Nanaimo Art Gallery is located on Snuneymuxw territory, one block from the city’s harbor, a place that has seen the forced displacement of Snuneymuxw villages, the arrival of precarious mine workers from China, the UK, and Scandinavia, and the World War II internment of Japanese Canadians who ran herring salteries and shipyards there.
Such harbors have also been places of exchange, where shipping news and seafarers’ stories were shared. BRACKISH WATERS serves as a similar waystation. Expanding from two exhibitions, Landfall and Departure: Prologue and Epilogue, this publication records globally interconnected aquatic lives and histories, while considering submerged narratives and forms of cultural expression.
Contributors
Doug Allen, Karen Barad, Michael Belmore, Walter Benjamin, Jesse Birch, Ocatvia E. Butler, Heather Cameron, Peter Culley, Stan Douglas, Elissa Ferrari, Masako Fukawa, Ayesha Hameed and Tom Hirst, Maxine Harris, Roni Horn, E. J. Hughes, Lili Huston-Herterich, Dawn Johnston, Eleanor King, Roy Kiyooka, Joy Kogawa, Emily Luce and Klehwetua Rod Sayers, Xulsi’malt Gary Manson, Max Maynard, Michele Di Menna, OrcaLab, Frances Ponge, NH Pritchard, Marcus Rediker and Liz Park, Genevieve Robertson, Marina Roy, Jenni Schine and Jay White, Charles H. Scott, Allan Sekula, Jack Shadbolt, Fiona Tan, Willie Thrasher and Linda Saddleback, Tommy Ting, Hajra Waheed, Phyllis Webb.
Copublished by Nanaimo Art Gallery.
BRACKISH WATERS is the third of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fishing), through contemporary art and writing.
Brackish waters mingle the fresh with the salt. Departing from industrial ports and shoreline ecosystems, this publication crosses oceanic worlds of extraction and distribution. It responds to marine environments diffracted by the perspectives of artists, writers, Indigenous Elders, fish and fishers, biologists, citizen scientists, whales, physicists, boat builders, ship workers, sailors, pirates, brittle stars, and other creatures of the deep.
Nanaimo Art Gallery is located on Snuneymuxw territory, one block from the city’s harbor, a place that has seen the forced displacement of Snuneymuxw villages, the arrival of precarious mine workers from China, the UK, and Scandinavia, and the World War II internment of Japanese Canadians who ran herring salteries and shipyards there.
Such harbors have also been places of exchange, where shipping news and seafarers’ stories were shared. BRACKISH WATERS serves as a similar waystation. Expanding from two exhibitions, Landfall and Departure: Prologue and Epilogue, this publication records globally interconnected aquatic lives and histories, while considering submerged narratives and forms of cultural expression.
Contributors
Doug Allen, Karen Barad, Michael Belmore, Walter Benjamin, Jesse Birch, Ocatvia E. Butler, Heather Cameron, Peter Culley, Stan Douglas, Elissa Ferrari, Masako Fukawa, Ayesha Hameed and Tom Hirst, Maxine Harris, Roni Horn, E. J. Hughes, Lili Huston-Herterich, Dawn Johnston, Eleanor King, Roy Kiyooka, Joy Kogawa, Emily Luce and Klehwetua Rod Sayers, Xulsi’malt Gary Manson, Max Maynard, Michele Di Menna, OrcaLab, Frances Ponge, NH Pritchard, Marcus Rediker and Liz Park, Genevieve Robertson, Marina Roy, Jenni Schine and Jay White, Charles H. Scott, Allan Sekula, Jack Shadbolt, Fiona Tan, Willie Thrasher and Linda Saddleback, Tommy Ting, Hajra Waheed, Phyllis Webb.
Copublished by Nanaimo Art Gallery.
