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Born to Kwaito

List Price: $7.95
SKU:
9781928337676
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  • Product Details

    Author:
    Sihle Mthembu
    Format:
    Paperback
    Pages:
    300
    Publisher:
    Jacana Media (February 19, 2019)
    Language:
    English
    ISBN-13:
    9781928337676
    ISBN-10:
    1928337678
    Dimensions:
    6" x 9.25" x 0.7"
    Case Pack:
    30
    File:
    Eloquence-IPG_07022025_P8798719_onix30_Complete-20250702.xml
    Folder:
    Eloquence
    List Price:
    $7.95
    As low as:
    $7.55
    Weight:
    11.36oz
    Publisher Identifier:
    P-IPG
    Discount Code:
    H
    Audience:
    Professional and scholarly
    Pub Discount:
    32
    Imprint:
    Jacana Media
  • Overview

    Born To Kwaito considers the meaning of kwaito music now. ‘Now’ not only as in ‘after 1994’ or the Truth Commission but as a place in the psyche of black people in post-apartheid South Africa. This collection of essays tackles the changing meaning of the genre after its decline and its ever-contested relevance. Through rigorous historical analysis as well as threads of narrative journalism Born To Kwaito interrogates issues of artistic autonomy, the politics of language in the music, and whether the music is part of a strand within the larger feminist movement in South Africa. Candid and insightful interviews from the genre’s foremost innovators and torchbearers, such as Mandla Spikiri, Arthur Mafokate, Robbie Malinga and Lance Stehr, provide unique historical context to kwaito music’s greatest highs, most captivating hits and most devastating lows. Born To Kwaito offers up a history of the genre from below by having conversations not only with musicians but with fans, engineers, photographers and filmmakers who bore witness to a revolution. Living in a place between criticism and biography Born To Kwaito merges academic theories and rigorous journalism to offer a new understanding into how the genre influenced other art forms such as fashion, TV and film. The book also reflects on how some of the music’s best hits have found new life through the mouths of local hip-hop’s current kingmakers and opened kwaito up to a new generation. The book does not pretend to be an exhaustive history of the genre but rather a present-active analysis of that history as it settles and finds its meaning.