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Body Show/s (Australian viewings of live performance)
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$50.00
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Product Details
Author:
Peta Tait
Format:
Paperback
Pages:
280
Publisher:
Brill (January 1, 2000)
Imprint:
Brill
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9789042014732
ISBN-10:
9042014733
Weight:
15.77oz
Dimensions:
6.1" x 9.25"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260328163254-20260328.xml
Folder:
TWO RIVERS
List Price:
$50.00
Country of Origin:
Netherlands
Series:
Australian Playwrights
As low as:
$38.50
Publisher Identifier:
P-PER
Discount Code:
A
Overview
Body Show/s: Australian Viewings of Live Performance asks: in what ways do physical bodies in live performance present vital and compelling expressions of ideas?
This collection contains critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners. It discusses and describes bodies in contemporary performance, theatre, visual art and dance; in circus and ethnographic shows; in performance training, butoh and wrestling; at gay and lesbian dance parties; and in relation to digital images. It explores historical and theoretical issues of gender and postcoloniality, technology, and the location of bodies in architectural, social and virtual spaces.
Artistes and groups discussed include Sydney Front, Open City, The Performance Space, Meryl Tankard’s Australian Dance Theatre, Chrissie Parrott, the Bell Shakespeare Company, Tess De Quincey, Yumi Umiumare, Gilgul Theatre, Lyndal Jones, Stelarc, Death Defying Theatre, colonial circus, ethnographic displays, the horse as performer, and wrestling legends Gorgeous George and Ravishing Ricky Rude.
This collection contains critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners. It discusses and describes bodies in contemporary performance, theatre, visual art and dance; in circus and ethnographic shows; in performance training, butoh and wrestling; at gay and lesbian dance parties; and in relation to digital images. It explores historical and theoretical issues of gender and postcoloniality, technology, and the location of bodies in architectural, social and virtual spaces.
Artistes and groups discussed include Sydney Front, Open City, The Performance Space, Meryl Tankard’s Australian Dance Theatre, Chrissie Parrott, the Bell Shakespeare Company, Tess De Quincey, Yumi Umiumare, Gilgul Theatre, Lyndal Jones, Stelarc, Death Defying Theatre, colonial circus, ethnographic displays, the horse as performer, and wrestling legends Gorgeous George and Ravishing Ricky Rude.
