null
Loading... Please wait...
FREE SHIPPING on All Unbranded Items LEARN MORE
Print This Page

Bad Vibrations (The History of the Idea of Music as a Cause of Disease)

List Price: $249.99
SKU:
9781409426424
Quantity:
Minimum Purchase
25 unit(s)
  • Availability: Confirm prior to ordering
  • Branding: minimum 50 pieces (add’l costs below)
  • Check Freight Rates (branded products only)

Branding Options (v), Availability & Lead Times

  • 1-Color Imprint: $2.00 ea.
  • Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
  • Belly-Band Wrap: $2.50 ea. (full-color printed)
  • Set-Up Charge: $45 per decoration
FULL DETAILS
  • Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
  • Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
  • Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
  • RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
  • Product Details

    Author:
    James Kennaway
    Format:
    Hardcover
    Pages:
    226
    Publisher:
    Taylor & Francis (July 5, 2012)
    Imprint:
    Routledge
    Language:
    English
    ISBN-13:
    9781409426424
    Weight:
    20oz
    Dimensions:
    6.125" x 9.1875"
    File:
    TAYLORFRANCIS-TayFran_261001045153970-20261001.xml
    Folder:
    TAYLORFRANCIS
    List Price:
    $249.99
    Country of Origin:
    United States
    Pub Discount:
    30
    Series:
    The History of Medicine in Context
    Case Pack:
    55
    As low as:
    $237.49
    Publisher Identifier:
    P-CRC
    Discount Code:
    H
  • Overview

    Music has been used as a cure for disease, but the notion that it might be a serious cause of mental and physical illness was rare until the late eighteenth century. More recently, the prevalence of sonic weapons and the use of music in torture in the so-called War on Terror have both made the subject of music that is bad for the health worryingly topical. This book outlines and explains the development of this idea of pathological music from the Enlightenment until the present day, providing an original contribution to the history of medicine, music and the body.