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Autocrítica del arte (Spanish Edition)

List Price: $25.95
SKU:
9788495764706
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Minimum Purchase
25 unit(s)
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  • Product Details

    Author:
    José María Moreno Galván
    Format:
    Paperback
    Pages:
    224
    Publisher:
    Ediciones Barataria (June 1, 2012)
    Language:
    Spanish
    ISBN-13:
    9788495764706
    ISBN-10:
    8495764709
    Weight:
    14.08oz
    Dimensions:
    6.5" x 8" x 0.6"
    Case Pack:
    25
    File:
    Eloquence-IPG_05042022_P5156737_onix21_Complete-20220504.xml
    Folder:
    Eloquence
    As low as:
    $22.32
    List Price:
    $25.95
    Publisher Identifier:
    P-IPG
    Discount Code:
    C
    Pub Discount:
    60
  • Overview

    Published for the first time in 1965, this classic study discusses the influence of artistic trends on everyday life and the evolution of modern aesthetic thought, particularly art’s impact on architecture and design. It explains three essential characteristics of Spanish art and provides examples of artists for each: expressiveness, represented by Ribera, Valdés Leal, Nonell, and Solana; analytic radicalism, represented by Zurbarán and Juan Gris; and a vacillation between the two, represented by Velázquez, Regoyos, and Sorolla. The book contemplates many questions, including Is art invented or discovered? Can new trends be considered revolutionary? Has globalization changed the scope of influence? and Do great masters of the past continue to influence art?

     

    Publicado por primera vez en 1965, este estudio clásico discute la influencia de tendencias artísticas en la vida cotidiana y en el devenir del pensamiento estético contemporáneo, en particular el impacto del arte en la arquitectura y el diseño. Explica tres características fundamentales del arte español y proporciona ejemplos de artistas para cada una: la expresividad, representada por Ribera, Valdés Leal, Nonell y Solana; el extremismo analítico, representado por Zurbarán y Juan Gris; y una vacilación entre los dos, representada por Velázquez, Regoyos y Sorolla. El libro contempla muchas preguntas, incluyendo ¿El arte se inventa o se descubre? ¿Pueden considerarse revolucionarias las nuevas tendencias? ¿Ha cambiado la globalización el ámbito de influencia? y ¿Continúan influyendo en el arte los grandes maestros del pasado?