Authenticity is a Feeling (My Life in PME-ART)
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$20.00
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Product Details
Author:
Jacob Wren
Format:
Paperback
Pages:
260
Publisher:
Book*hug Press (April 13, 2018)
Language:
English
ISBN-13:
9781771663892
ISBN-10:
1771663898
Dimensions:
5.5" x 8.75" x 0.7"
Case Pack:
32
File:
Eloquence-IPG_07042026_P10295278_onix30-20260704.xml
Folder:
Eloquence
List Price:
$20.00
As low as:
$17.20
Publisher Identifier:
P-IPG
Discount Code:
C
Weight:
15.36oz
Audience:
General/trade
Pub Discount:
60
Imprint:
Book*hug Press
Overview
Authenticity is a Feeling: My Life in PME-ART is a compelling hybrid of history, memoir, and performance theory. It tells the story of the interdisciplinary performance group PME-ART and their ongoing endeavour to make a new kind of highly collaborative theatre dedicated to the fragile but essential act of "being yourself in a performance situation."
Written, among other things, to celebrate PME-ART's twentieth anniversary, the book begins when Jacob Wren meets Sylvie Lachance and Richard Ducharme, moves from Toronto to Montreal to make just one project, but instead ends up spending the next twenty years creating an eccentric, often bilingual, art. It is a book about being unable to learn French yet nonetheless remaining co-artistic director of a French-speaking performance group, about the Spinal Tap-like adventures of being continuously on tour, about the rewards and difficulties of intensive collaborations, about making performances that break the mold and confronting the repercussions of doing so. A book that aims to change the rules for how interdisciplinary performance can be written about today.
Written, among other things, to celebrate PME-ART's twentieth anniversary, the book begins when Jacob Wren meets Sylvie Lachance and Richard Ducharme, moves from Toronto to Montreal to make just one project, but instead ends up spending the next twenty years creating an eccentric, often bilingual, art. It is a book about being unable to learn French yet nonetheless remaining co-artistic director of a French-speaking performance group, about the Spinal Tap-like adventures of being continuously on tour, about the rewards and difficulties of intensive collaborations, about making performances that break the mold and confronting the repercussions of doing so. A book that aims to change the rules for how interdisciplinary performance can be written about today.
