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Augusta Savage (The Shape of a Sculptor's Life)
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Product Details
Author:
Marilyn Nelson
Format:
Hardcover
Pages:
128
Publisher:
Little, Brown Books for Young Readers (January 25, 2022)
Language:
English
Age Range:
14 to 18
Grade Level:
9th Grade to 12th Grade
ISBN-13:
9780316298025
ISBN-10:
0316298026
Dimensions:
6.25" x 9.5" x 1.1"
File:
hbgusa-hbgusa_onix30_P9587159_01122026-20260112.xml
Folder:
hbgusa
List Price:
$18.99
As low as:
$14.62
Publisher Identifier:
P-HACH
Discount Code:
A
Case Pack:
20
Weight:
10.24oz
Audience:
Young adult
Country of Origin:
United States
Pub Discount:
65
Imprint:
Christy Ottaviano Books
Overview
A powerful biography in poems about a trailblazing artist and a pillar of the Harlem Renaissance—with an afterword by the curator of the Schomburg Center for Research in Black Culture.
Augusta Savage was arguably the most influential American artist of the 1930s. A gifted sculptor, Savage was commissioned to create a portrait bust of W.E.B. Du Bois for the New York Public Library. She flourished during the Harlem Renaissance, and became a teacher to an entire generation of African American artists, including Jacob Lawrence, and would go on to be nationally recognized as one of the featured artists at the 1939 World’s Fair. She was the first-ever recorded Black gallerist. After being denied an artists’ fellowship abroad on the basis of race, Augusta Savage worked to advance equal rights in the arts. And yet popular history has forgotten her name. Deftly written and brimming with photographs of Savage’s stunning sculpture, this is an important portrait of an exceptional artists who, despite the limitations she faced, was compelled to forge a life through art and creativity.
Augusta Savage was arguably the most influential American artist of the 1930s. A gifted sculptor, Savage was commissioned to create a portrait bust of W.E.B. Du Bois for the New York Public Library. She flourished during the Harlem Renaissance, and became a teacher to an entire generation of African American artists, including Jacob Lawrence, and would go on to be nationally recognized as one of the featured artists at the 1939 World’s Fair. She was the first-ever recorded Black gallerist. After being denied an artists’ fellowship abroad on the basis of race, Augusta Savage worked to advance equal rights in the arts. And yet popular history has forgotten her name. Deftly written and brimming with photographs of Savage’s stunning sculpture, this is an important portrait of an exceptional artists who, despite the limitations she faced, was compelled to forge a life through art and creativity.








