Art and migration (Revisioning the borders of community)
List Price:
$140.00
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Bénédicte Miyamoto, Marie-José Ruiz
Format:
Hardcover
Pages:
336
Publisher:
Manchester University Press (June 15, 2021)
Imprint:
Manchester University Press
Language:
English
Audience:
College/higher education
ISBN-13:
9781526149701
ISBN-10:
1526149702
Weight:
29.44oz
Dimensions:
6.14" x 9.21" x 1"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260928163227-20260928.xml
Folder:
TWO RIVERS
List Price:
$140.00
Country of Origin:
United Kingdom
Pub Discount:
65
Series:
Rethinking Art's Histories
Case Pack:
20
As low as:
$107.80
Publisher Identifier:
P-PER
Discount Code:
A
Overview
This collection offers a response to the view that migration disrupts national heritage. Investigating the mediation provided by migrant art, it asks how we can rethink art history in a way that uproots its reliance on space and place as stable definitions of style. Beginning with an invaluable overview of migration studies terminology and concepts, Art and migration opens dialogues between academics of art history and migrations studies through a series of essays and interviews. It also re-evaluates the cultural understanding of borders and revisits the contours of the art world – a supposedly globalised community re-assessed here as structurally bordered by art market dynamics, career constraints, gatekeeping and patronage networks.








