Antiquity
List Price:
$14.95
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Michael Homolka, Mary Ruefle
Format:
Paperback
Pages:
64
Publisher:
Sarabande Books (July 12, 2016)
Language:
English
Audience:
General/trade
ISBN-13:
9781941411278
ISBN-10:
1941411274
Weight:
3.2oz
Dimensions:
5.5" x 8.5"
File:
CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20260401130212-20260401.xml
Folder:
CONSORTIUM
List Price:
$14.95
Series:
Kathryn A. Morton Prize in Poetry
Case Pack:
96
As low as:
$12.86
Publisher Identifier:
P-PER
Discount Code:
C
Country of Origin:
United States
Pub Discount:
60
Imprint:
Sarabande Books
Overview
"The poems in Antiquity very much abandon themselves to language, to the collective poetic endeavor, and they do so in a rich, textured, and sustained voice."—Mary Ruefle, from the introduction
Winner of the Kathryn A. Morton Prize, Michael Homolka’s Antiquity offers the present infused with the past, from Ancient Greece to the Holocaust to contemporary battlefields. A haunting and evocative debut.
Michael Homolka lives and works in New York City. Homolka’s poems have appeared in the New Yorker, Ploughshares, the Threepenny Review, and elsewhere.
