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An Instinct to Draw (John Ruskin's Drawings in the Ashmolean Museum)

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SKU:
9781910807453
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  • Product Details

    Author:
    Stephen Wildman
    Format:
    Paperback
    Pages:
    208
    Publisher:
    Ashmolean Museum (March 26, 2021)
    Language:
    English
    ISBN-13:
    9781910807453
    ISBN-10:
    1910807451
    Dimensions:
    7.638" x 10.512" x 0.81"
    File:
    Eloquence-SimonSchuster_07042026_P10292974_onix30_Complete-20260704.xml
    Folder:
    Eloquence
    List Price:
    $30.00
    As low as:
    $28.50
    Publisher Identifier:
    P-SS
    Discount Code:
    D
    Weight:
    30.48oz
    Case Pack:
    12
    Audience:
    General/trade
    Pub Discount:
    65
    Imprint:
    Ashmolean Museum
    Series:
    Ashmolean Highlights
  • Overview

    • First book on the Ashmolean collection in over 30 years• Ashmolean has one of the finest collection of Ruskin works anywhere in the worldJohn Ruskin assembled 1470 diverse works of art for use in the Drawing School he founded at Oxford in 1871. They included drawings by himself and other artists, prints and photographs. This book focuses on highlights of works produced by Ruskin himself. Drawings by John Ruskin are uniquely interesting. Unlike those of a professional artist they were not made in preparation for finished paintings or as works in their own right. Every one – and they number several thousand, depending on what can be considered a separate drawing – is a record of something seen, initially as a memorandum of that observation but with the potential to illustrate his writings or for educational purposes, notably to form part of the teaching collection of the Drawing School he established after election as Slade Professor of Fine Art at Oxford University. In addition, because of the range of interests of arguably the only true polymath of his time, every drawing touches on some interesting aspect of art and architecture, landscape and travel, botany and natural history, often connected with his writings and lectures. Ruskin’s life is one of the best documented of any in the 19th century, through letters, diaries and the many autobiographical revelations in his published writings: this allows the opportunity to give almost any drawing a level of context impossible for any other artist. When there is so much background information, a single drawing reveals much about its creator, and becomes a window into the great sprawling edifice of his life and work.