Alexander Ponomarev (The Second Voyage)
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$90.00
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Product Details
Author:
Silvia Burini, Giuseppe Barbieri
Format:
Hardcover
Pages:
304
Publisher:
Rizzoli (March 30, 2021)
Language:
English
ISBN-13:
9788891822833
ISBN-10:
8891822833
Weight:
88.4oz
Dimensions:
9.77" x 12.5" x 1.28"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260617T075321_156615872-20260617.xml
Folder:
RandomHouse
List Price:
$90.00
Case Pack:
5
As low as:
$77.40
Publisher Identifier:
P-RH
Discount Code:
C
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
Italy
Pub Discount:
60
Imprint:
Rizzoli
Overview
This eagerly awaited first monograph focuses on Alexander Ponomarev, one of Russia's most eminent and singular contemporary artists.
Alexander Ponomarev is one of Russia's most widely known contemporary artists, renowned both at home and abroad. In 2014, he was featured in Time magazine as one of the 100 Leading Global Thinkers thanks to the vast range of devices he employs to express his ideas, such as drawings, vast, complex installations, and a variety of technologies. He also captures some of the planet's most extreme and least accessible landscapes, symbolizing what he views as a world that is "culturally and morally adrift."
The themes he tackles are those he considers of critical relevance to today's world: the rapport between science and art, the exploration of the Arctic and Antarctic, the retrieval of ancient engineering traditions vs. today's advanced technologies, and the crucial and urgent issue of climate change.
The volume includes two ample introductory essays describing his position in the Russian context of art production over the twentieth and twenty-first centuries and his roots in the artistic and humanist culture of the early modern era (Vitruvius, Leonardo, Titian, and the major geographical explorations, etc.).
Alexander Ponomarev is one of Russia's most widely known contemporary artists, renowned both at home and abroad. In 2014, he was featured in Time magazine as one of the 100 Leading Global Thinkers thanks to the vast range of devices he employs to express his ideas, such as drawings, vast, complex installations, and a variety of technologies. He also captures some of the planet's most extreme and least accessible landscapes, symbolizing what he views as a world that is "culturally and morally adrift."
The themes he tackles are those he considers of critical relevance to today's world: the rapport between science and art, the exploration of the Arctic and Antarctic, the retrieval of ancient engineering traditions vs. today's advanced technologies, and the crucial and urgent issue of climate change.
The volume includes two ample introductory essays describing his position in the Russian context of art production over the twentieth and twenty-first centuries and his roots in the artistic and humanist culture of the early modern era (Vitruvius, Leonardo, Titian, and the major geographical explorations, etc.).
