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- Ah, What Is It? ‒ That I Heard (Katherine Mansfield's Wings of Wonder)
Ah, What Is It? ‒ That I Heard (Katherine Mansfield's Wings of Wonder)
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Product Details
Author:
Anne Mounic
Format:
Paperback
Pages:
250
Publisher:
Brill (January 1, 2014)
Imprint:
Brill
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9789042038646
ISBN-10:
9042038640
Weight:
12.48oz
Dimensions:
6.1" x 9.25" x 0.55"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260319172121-20260319.xml
Folder:
TWO RIVERS
List Price:
$97.00
Country of Origin:
Netherlands
Series:
Costerus New Series
As low as:
$92.15
Publisher Identifier:
P-PER
Discount Code:
H
Pub Discount:
35
Overview
The spirit of the narrative is mankind’s reflexive consciousness, or poetic genius ‒ our unique access to ourselves, our desperate endeavour “to be REAL”. It brings to light the dark unknown which is the zest of our lives; it gives shape to the tremor of our inner souls ‒ otherwise nearly imperceptible. “Ah, what is it? ‒ that I heard”, Katherine Mansfield wondered throughout her whole life and writings ‒ poems and stories, letters and notebooks. Through the metamorphic movement of her highly sensitive, perceptive mind, she highlights the deep ambivalence of light and dark, mirth and awe, fear and longing which is the keen feature of our naked existence. She sketches her epic motifs with a dedicated sense of wonder.
A true poet, she returns, as Baudelaire, Keats, Hopkins, Proust, or Shakespeare, to the origins of language ‒ this poignant contrast of light and dark following the alternate rhythm of night and day, of yielding to darkness and converting it into speech: “Let there be light.” Poetic language is performative. It means an everlasting questioning over the abyss ‒ with wings of wonder upon the face of the deep.
This volume will also be of interest to scholars and dedicated readers who wish to share in the current reassessment of Katherine Mansfield’s poetic achievement. Her awareness of the literary tradition and modernity, the utmost finesse of her artistic thought, the boldness of her temper make her a major twentieth-century poet.
A true poet, she returns, as Baudelaire, Keats, Hopkins, Proust, or Shakespeare, to the origins of language ‒ this poignant contrast of light and dark following the alternate rhythm of night and day, of yielding to darkness and converting it into speech: “Let there be light.” Poetic language is performative. It means an everlasting questioning over the abyss ‒ with wings of wonder upon the face of the deep.
This volume will also be of interest to scholars and dedicated readers who wish to share in the current reassessment of Katherine Mansfield’s poetic achievement. Her awareness of the literary tradition and modernity, the utmost finesse of her artistic thought, the boldness of her temper make her a major twentieth-century poet.








