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A Well That Never Dries
List Price:
$45.00
| Expected release date is Nov 24th 2026 |
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Product Details
Author:
Nam Tchun-Mo
Format:
Paperback
Pages:
132
Publisher:
Hartmann Books (November 24, 2026)
Imprint:
Hartmann Books
Release Date:
November 24, 2026
Language:
English
Audience:
General/trade
ISBN-13:
9783960701408
ISBN-10:
3960701403
Weight:
5.82oz
Dimensions:
7.5" x 9.5"
File:
Eloquence-SimonSchuster_07042026_P10292974_onix30_Complete-20260704.xml
List Price:
$45.00
Pub Discount:
65
Case Pack:
1
As low as:
$34.65
Publisher Identifier:
P-SS
Discount Code:
A
Folder:
Eloquence
Overview
Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s.
Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop (??)—a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke.
His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters.
Nam Tchun-Mo (b. 1961) represents a contemporary continuation of Dansaekhwa, a South Korean art movement that began exploring radical abstraction, monochrome palettes, and three-dimensionality in the 1960s. Through repetitive actions within a meditative painting practice, Nam creates a modern interpretation of golbeop (??)—a classical principle of East Asian painting that emphasizes the structural vitality and life force of the brushstroke.
His work organically bridges tradition and contemporaneity, craftsmanship and abstract form, and physicality and spirituality, while weaving together personal memory and collective cultural experience. The central formal elements of his practice are lines reminiscent of furrowed fields and architectural motifs, such as traditional lattice windows and rafters.
