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A Slightly Nasty Book / Un libro levemente odioso (Poems / Poemas) (Bilingual Edition)
List Price:
$22.95
| Expected release date is Sep 8th 2026 |
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Product Details
Author:
Roque Dalton, Natasha Wimmer, Elena Poniatowska, Horacio Castellanos Moya, Jose Luis Posada
Format:
Paperback
Pages:
224
Publisher:
Seven Stories Press (September 8, 2026)
Imprint:
Seven Stories Press
Release Date:
September 8, 2026
Audience:
General/trade
ISBN-13:
9781644215364
ISBN-10:
1644215365
Weight:
13oz
Dimensions:
5.5" x 8.25"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260405T165253_155746786-20260405.xml
Folder:
RandomHouse
List Price:
$22.95
Country of Origin:
United States
Pub Discount:
65
Case Pack:
24
As low as:
$17.67
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Overview
A major collection from the revolutionary Salvadoran poet and intellectual in a new bilingual edition.
“Profound yet playful, the poet Roque preferred to laugh at himself than take life too seriously, and so saved himself from grandiloquence, solemnity, and other ailments so gravely afflicting Latin American political poetry.” —Eduardo Galeano, Roque
The most important posthumous collection of the “patron saint of the Latin American left” (Ben Ehrenreich, London Review of Books) is a fierce satire. Only the holy trinity of Lenin-Fidel Castro-Che Guevara escapes his sharp-edged mockery. These are nasty poems, but never unjustly so. He denounces the cruel hypocrisy of his enemies (the Salvadoran dictatorship, US imperialism, the international bourgeoisie) and his comrades, which ultimately lands him on the enemy side of civil violence. The mirror he holds up to revolutionaries and poets who fail to live up to their words turns to reveal an endearingly flawed and tragicomic figure. Only his cynicism is a pretense, armor for his idealism. The autobiographical poems in this collection mythologize the author’s life, turning him into the unwilling martyr of a mystical revolution that continues to enlist those naïve enough to believe poetry can be political.
“Profound yet playful, the poet Roque preferred to laugh at himself than take life too seriously, and so saved himself from grandiloquence, solemnity, and other ailments so gravely afflicting Latin American political poetry.” —Eduardo Galeano, Roque
The most important posthumous collection of the “patron saint of the Latin American left” (Ben Ehrenreich, London Review of Books) is a fierce satire. Only the holy trinity of Lenin-Fidel Castro-Che Guevara escapes his sharp-edged mockery. These are nasty poems, but never unjustly so. He denounces the cruel hypocrisy of his enemies (the Salvadoran dictatorship, US imperialism, the international bourgeoisie) and his comrades, which ultimately lands him on the enemy side of civil violence. The mirror he holds up to revolutionaries and poets who fail to live up to their words turns to reveal an endearingly flawed and tragicomic figure. Only his cynicism is a pretense, armor for his idealism. The autobiographical poems in this collection mythologize the author’s life, turning him into the unwilling martyr of a mystical revolution that continues to enlist those naïve enough to believe poetry can be political.









