A Fortune for Your Disaster (Poems)
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$18.00
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Product Details
Author:
Hanif Abdurraqib
Format:
Paperback
Pages:
108
Publisher:
Zando (September 3, 2019)
Imprint:
Tin House
Language:
English
Audience:
General/trade
ISBN-13:
9781947793439
ISBN-10:
1947793438
Weight:
7.8oz
Dimensions:
7.5" x 9" x 0.37"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260705T122003_156890350-20260705.xml
Folder:
RandomHouse
List Price:
$18.00
Country of Origin:
United States
Pub Discount:
65
Case Pack:
60
As low as:
$13.86
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Overview
“When an author’s unmitigated brilliance shows up on every page, it’s tempting to skip a description and just say, Read this! Such is the case with this breathlessly powerful, deceptively breezy book of poetry.” —Booklist, Starred Review
In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to "Don't Stop Believin'." It's about wrestling with histories, personal and shared. Abdurraqib uses touchstones from the world outside—from Marvin Gaye to Nikola Tesla to his neighbor's dogs—to create a mirror, inside of which every angle presents a new possibility.
In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to "Don't Stop Believin'." It's about wrestling with histories, personal and shared. Abdurraqib uses touchstones from the world outside—from Marvin Gaye to Nikola Tesla to his neighbor's dogs—to create a mirror, inside of which every angle presents a new possibility.
