A Century of Fiction in The New Yorker (1925-2025)
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Product Details
Author:
New Yorker Magazine Inc, Deborah Treisman
Format:
Hardcover
Pages:
1152
Publisher:
Knopf Doubleday Publishing Group (February 4, 2025)
Language:
English
Audience:
General/trade
ISBN-13:
9780593801918
ISBN-10:
0593801911
Weight:
54.4oz
Dimensions:
6.39" x 9.63" x 2.13"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260405T170112_155746813-20260405.xml
Folder:
RandomHouse
List Price:
$50.00
Country of Origin:
Canada
Case Pack:
8
As low as:
$38.50
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Pub Discount:
65
Imprint:
Knopf
Overview
Edited by The New Yorker's fiction editor, Deborah Treisman, a celebratory selection from one hundred years of short stories in the magazine which has been the most influential and important showcase for the form and has launched dozens of stellar careers in fiction
There is simply no A–Z like the alphabet of fiction writers who have appeared in the pages of The New Yorker in the last hundred years. The book boasts inarguable classics like Salinger’s “A Perfect Day for Bananafish,” Annie Proulx’s “Brokeback Mountain,” and Shirley Jackson’s “The Lottery” alongside stunners to be rediscovered. Some stories defined a moment or a now-lost world (Isaac Bashevis Singer’s “The Cafeteria”); others showed us a whole new way fiction could sound and feel (“The Red Girl,” by Jamaica Kincaid).
With this vivid selection, Treisman showcases how our fiction has changed over time, and reminds us that past literary fashions continue to ripple outward in the fiction we love today. What does a Donald Barthelme mean to the craft of short fiction now? What will a Yiyun Li mean to the next generation of readers and writers? This exquisite tour of the form as practiced at its highest level will leap directly into the hearts of readers of all ages, all stripes, and is a beautiful tribute to the magazine's influence on our literary culture over the last century.
There is simply no A–Z like the alphabet of fiction writers who have appeared in the pages of The New Yorker in the last hundred years. The book boasts inarguable classics like Salinger’s “A Perfect Day for Bananafish,” Annie Proulx’s “Brokeback Mountain,” and Shirley Jackson’s “The Lottery” alongside stunners to be rediscovered. Some stories defined a moment or a now-lost world (Isaac Bashevis Singer’s “The Cafeteria”); others showed us a whole new way fiction could sound and feel (“The Red Girl,” by Jamaica Kincaid).
With this vivid selection, Treisman showcases how our fiction has changed over time, and reminds us that past literary fashions continue to ripple outward in the fiction we love today. What does a Donald Barthelme mean to the craft of short fiction now? What will a Yiyun Li mean to the next generation of readers and writers? This exquisite tour of the form as practiced at its highest level will leap directly into the hearts of readers of all ages, all stripes, and is a beautiful tribute to the magazine's influence on our literary culture over the last century.
