15th Westerwald Prize 2024 (Ceramics of Europe)
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$65.00
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Product Details
Author:
Nele Wieringen
Format:
Hardcover
Pages:
144
Publisher:
Arnoldsche Art Publishers (April 1, 2025)
Imprint:
Arnoldsche Art Publishers
Language:
English
Audience:
General/trade
ISBN-13:
9783897907317
ISBN-10:
3897907313
Weight:
31.6oz
Dimensions:
8.268" x 11.024" x 0.8"
File:
Eloquence-SimonSchuster_03032026_P9790483_onix30_Complete-20260303.xml
Folder:
Eloquence
List Price:
$65.00
Pub Discount:
65
Case Pack:
15
As low as:
$61.75
Publisher Identifier:
P-SS
Discount Code:
D
Overview
• A recent overview about the contemporary tendencies in European ceramics
• Discover the ceramics avantgarde in the realm of one of the most traditional competitions from the region of salt-glazed pottery
• Exhibition: Keramikmuseum Westerwald, Höhr-Grenzhausen, Germany, 27 September 2024 – 15 June 2025
When words are bereft of their power and meaning, art is able to communicate in its stead. It has its own means of visualizing multiplicity, commenting on events, or connecting thoughts. This is evidenced in a variety of ways in the 2024 ceramic work honored with the Westerwald Prize and exhibited as part of the award ceremony. Whereas Irina Razumovskaya (b. 1990, First Prize) illustrates pain and complexity through her emotive surface designs, the sculptural objects by Nora Arrieta (b. 1989, Second Prize) bring forth fairy-tale-like or even apocalyptic visual worlds. Bodil Manz (b. 1943) dominated salt-glaze pottery with her clear, geometric style, winning the Town of Höhr-Grenzhausen Prize, while Beate Gatschelhofer (b. 1994) was awarded the New Talent Prize for her bold, colorful take on ceramics.
Text in English and German.
• Discover the ceramics avantgarde in the realm of one of the most traditional competitions from the region of salt-glazed pottery
• Exhibition: Keramikmuseum Westerwald, Höhr-Grenzhausen, Germany, 27 September 2024 – 15 June 2025
When words are bereft of their power and meaning, art is able to communicate in its stead. It has its own means of visualizing multiplicity, commenting on events, or connecting thoughts. This is evidenced in a variety of ways in the 2024 ceramic work honored with the Westerwald Prize and exhibited as part of the award ceremony. Whereas Irina Razumovskaya (b. 1990, First Prize) illustrates pain and complexity through her emotive surface designs, the sculptural objects by Nora Arrieta (b. 1989, Second Prize) bring forth fairy-tale-like or even apocalyptic visual worlds. Bodil Manz (b. 1943) dominated salt-glaze pottery with her clear, geometric style, winning the Town of Höhr-Grenzhausen Prize, while Beate Gatschelhofer (b. 1994) was awarded the New Talent Prize for her bold, colorful take on ceramics.
Text in English and German.
